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The Israel Koschitzky Virtual Beit
Midrash
Songs
of Innocence and Experience
By
Rav Yitzchak
Blau
On
another occasion, [Rabban Gamliel, Rabbi Elazar ben Azarya, Rabbi Yehoshua and
Rabbi Akiva] were going to Jerusalem, and when
they came to Mount
Scopus, they rent their
clothes. When they came to the
Temple Mount,
they saw a fox coming out of the Holy of Holies; [the others] wept, but Rabbi
Akiva laughed. (Makkot 24b)
Before we can understand the significance of this aggada, we need
to consider another source, which requires some background knowledge. In Mishnaic times, people often kept
their teruma produce beside Torah scrolls, and mice would damage the
scrolls in order to reach the food. To prevent this desecration of the Torah
scrolls, the Sages declared that touching these scrolls is metamei
yadayim (ritually defiles hands).
This would prevent people from keeping their teruma near the
scrolls, as defiled teruma must be destroyed. There was then a question regarding
whether or not some of the Ketuvim, such as Kohelet and Shir
Ha-shirim, were included in this edict. Thus, in this context, causing defilement
is actually a sign of sanctity.
Rabbi
Akiva said: "God forbid! No one of
Israel ever claimed that
Shir Ha-shirim does not defile the hands. After all, the universe in its entirety
was never as worthwhile as the day that Shir Ha-shirim was given to
Israel; all Scriptures are
holy, but Shir Ha-shirim is the holiest of the holy. If there was ever a
debate, it was only about Kohelet." (Mishna Yadayim
3:5)
Why is there a question about the ritual status of Shir Ha-shirim,
and what is Rabbi Akiva's argument that it surely defiles hands? One possibility is that the parable of
Shir Ha-shirim could mistakenly be taken for a secular love song, and
Rabbi Akiva is strongly contesting that interpretation. Indeed, a different gemara
(Sanhedrin 101a) indicates very strong opposition to treating the Song of
Songs as a human love song. Perhaps
Rabbi Akiva needs to affirm the metaphorical reading of this book as a song of
love between God and the Jewish people.
Rabbi Moshe Avigdor Amiel, former Chief Rabbi of Antwerp and Tel Aviv (Derashot El Ami 2:15),
understands the tension about this work differently: he links Rabbi Akiva's
reaction to the Temple ruins with his statement about Shir
Ha-shirim. Shir
Ha-shirim, the powerful love song between God and the Jewish people,
represents a great spirit of optimism and hope. Some of the Sages question the
continuing significance of such a work when the Temple has been destroyed and the Jews have
been exiled: does optimism still have a place in such a fragmented world? When Rabbi Akiva contends that Shir
Ha-shirim does generate tumat yadayim, he forcefully asserts that our
aspirations and hopes have become no less relevant in our broken world.
The same spirit enables Rabbi Akiva to laugh when encountering foxes
roaming the Temple mount. He sees this as the confirmation of a
biblical prophecy, and this fills him with hope that more positive prophecies of
consolation will also be fulfilled.
This optimistic spirit enables Rabbi Akiva to maintain that Shir
Ha-shirim, the great love song between God and the Jewish people, remains
the holy of holies even when we are confronted with
destruction.
According to Rav Amiel, Judaism incorporates more of the optimism of
Shir Ha-shirim than the pessimism of Kohelet. Kohelet is
read once a year on Sukkot, but Shir Ha-shirim appears in the
Siddur for recital each Friday night. Of course, this optimism should not be
confused with the notion that religion quickly solves all human problems and
that religious life consists of resting by still waters in a green pasture.
(Indeed, Rabbi J. B. Soloveitchik
attacks this Pollyannaish view of religion in the majestic fourth footnote of
Halakhic Man.) Rather, religion understands the
unfortunate truth that life includes tragedies, difficulties and frustrations,
and that we cannot easily deal with these things or confidently understand their
place in the cosmic scheme. At the same time, our faith in the divine promise
and in a life of Torah and mitzvot does enable a certain ongoing optimism
even as we acknowledge the existence of suffering. Rabbi Akiva certainly mourns the loss of
the Temple, even
as he continues to look forward to a better future.
The preceding analysis may impact on our reading of a fascinating
midrash:
Rabbi
Chiya taught that only in his elder years did the Holy Spirit reside in Shelomo,
enabling him to write the three works of Mishlei, Kohelet and
Shir Ha-shirim. Rabbi
Yonatan maintained that Shelomo wrote Shir Ha-shirim first and then
Mishlei and then Kohelet.
He brought a proof from the way of the world: the young sing, middle-aged
people tell parables and the elderly see the vanities of the world. (Shir
Ha-shirim Rabba 1:10)
The
correct relationship between optimism and pessimism emerges from this debate.
Rabbi Yonatan identifies the time
of composition of each of Shelomo's works based on the stages of a person's
life. This seems eminently
reasonable: youthful ardor dominates in the morning of life, and experienced
cynicism dominates as evening falls.
Why does Rabbi Chiya argue with an approach that seems true to much of
human experience, instead claiming that all three works were penned at the same
time in Shelomo's life?
Rabbi Amiel suggests that all of life must jointly include elements of
both the optimism of Shir Ha-shirim and the pessimism of Kohelet.
In fact, it is only Kohelet's ability to balance the youthful ardor of
song with an authentic understanding of the difficulties of human existence that
enables the song to continue through the ripeness of advancing years. A cheaply acquired optimism is quickly
shattered on the rocks of human suffering; on the other hand, an equally easy
despairing cynicism also misses the mark, as it indicates blindness to the many
wonderful aspects of human existence.
It is only the more realistic optimism that sees effort and difficulty as
unavoidable, but still finds cause for hope that we will survive the
vicissitudes of human life. May we
all merit to share in this more complex optimism and experience the love and
rapture of a genuine relationship with the Divine.
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