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PARASHAT
HASHAVUA
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This parasha series
is dedicated le-zekher nishmat
Ha-Rabanit Chana bat
HaRav Yehuda Zelig zt"l.
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This parasha series is dedicated in honor of
Rabbi Menachem
Leibtag and Rabbi Elchanan Samet.
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PARASHAT
HAAZINU
Song of the Future or
Song of The Present
By Rav Elchanan
Samet
A. THE HISTORICAL
TIMEFRAME
In our study of
parashat Ki-Tavo, when examining the recitation over the bikkurim, we saw that
the Torah requires that the bearer of fruit engage in an historical review,
starting with the period of the forefathers and ending with the moment when the
farmer himself stands in the Temple. In our study of parashat Nitzavim, we
addressed the parasha of repentance and redemption, with its overview of Jewish
history from the future period of exile until the people's ultimate redemption
from exile and return to their land.
Parashat Ha'azinu
likewise deals with Israel's past and future. What are the historical horizons
encompassed in the song of Ha'azinu, as compared to those encompassed by the two
previous parashot?
The Ramban (verse 40)
believes that the brief song of Ha'azinu contains a comprehensive historical
vision, encompassing the whole of Jewish history from the very beginning of the
selection of Israel as "God's portion" up until the completion of the future
redemption. Thus, both the period reviewed in the recitation over the bikkurim
and that described in the parasha of repentance are included within
it.
This explanation by
the Ramban exerted a profound influence on all later Jewish commentators – up
until those of modern times, all of whom quote him or repeat his ideas in their
own words. In this study, we will reopen the question of the historical
timeframe of the song.
B. SIN AND
PUNISHMENT
For lack of space,
let us focus only on the crux of the song: the sin, the punishment and the
deliverance. God gives Israel the land and provides them with all types of good
therein (verses 13-14), but they forget Who provided all the good and worship
foreign gods (verses 15-18). From verse 19 until verse 25 we find a description
of God's anger towards His children and the punishment He brings upon them. The
Ramban interprets with great precision this stage of the song: "[The Torah]
describes His anger towards them, so much that He sends them WITHIN THEIR LAND
[i.e. Israel] pestilence and hunger and wild beasts and destruction by the
sword." This is a precise interpretation based both on what is NOT mentioned in
these verses of punishment – there is no mention of exile! – and on what is
explicitly stated (v. 22): "For a fire is kindled in My anger... and it shall
consume THE EARTH AND ITS PRODUCE." This would indicate that the reference is to
the same land to which the song previously referred in describing Israel's
enjoyment of its produce.
In verses 26-27 we
find the turning point: God reveals His exceedingly harsh plan regarding the
punishment of Israel, which He cancels because of the erroneous future
perception of this punishment in the eyes of their
enemies.
"I said, 'I shall
consume them, I will erase them from human memory' - were it not for the anger
of the enemy, lest their adversaries misunderstand, lest they say, 'Our hand is
high; it is not God Who has done all this.'"
What is the plan
conceived by God that represents the climax of the punishment, and which is
cancelled by God in view of what Israel's enemies will say? An exact answer
depends to some extent on our interpretation of the difficult term "af'ehem" in
verse 26. Biblical poetry often contains words that are rare and unfamiliar, or
unusual grammatical forms of certain words that render their interpretation
difficult. But at the same time it contains an internal commentary that
accompanies such terms – a commentary that arises from the Torah's most typical
artistic technique: parallelism. Therefore the great majority of the early
commentators, despite their differing etymological analyses of the word
"af'ehem," agree that the meaning is, "I shall consume them," or "almost consume
them," on the basis of the parallel in the verse: "I shall erase them from human
memory."
It is not only the
parallel within the verse that teaches us that this is indeed the meaning of the
word "af'ehem." We learn this likewise from the connection between verse 26 and
verse 27 and their context: only the idea of punishment by annihilation of
Israel arouses in the Torah the fear of "chilul Hashem" (desecration of God's
name) to such a grave extent that God cancels it. This is indeed what occurred
following the sin of the golden calf and also following the sin of the spies.
What is unique here is that it is not Moshe who raises the possibility of chilul
Hashem, but rather God Himself Who relinquishes the plan of annihilation for
this reason.
The plan for the
(complete or almost complete) destruction of Israel is not realized, and here
the song begins to turn in the opposite direction: to the detriment of Israel's
enemies, and to Israel's salvation from them. The commentators who focus on the
literal meaning of the text have generally agreed with the opinion of R.
Nechemia in the Sifri, that verses 28-35 deal with the enemies, and not with
Israel. And in verse 36 we already find Israel's
salvation:
"For God will judge
His nation and comfort Himself for His servants, when He sees that their power
is gone, and there is none, closed or abandoned."
The exegetical
process thus far leads us to the following important question: In the series of
punishments described in verses 19-25 there was no mention made of exile! This
being so, just as the punishments described in these verses take place in Eretz
Yisrael, so Israel's deliverance and redemption from their enemies must take
place there. This does not fit in with the numerous warnings in the Torah that
Israel's sins in their land will eventually lead to exile. Can it be, therefore,
that the song of Ha'azinu ignores the most terrible of
punishments?
In the verses of
punishment (e.g. 27, 29, 30) the Torah speaks of the victory of Israel's enemies
IN WAR. The enemies do not understand their great victory over Israel as a
punishment that the God of Israel brings upon His sinning nation. Therefore we
read in verse 26 that God does not wish to give Israel entirely into the hands
of their enemies - to the extent of their memory being erased – IN WAR (i.e.,
their annihilation by the enemy), for the enemy will interpret this as their own
victory ("our hand is high").
But Israel in exile
does not wage war against the enemies! This being so, these words uttered by the
enemy are inappropriate to the exile situation. Thus, this too shows that Israel
is dwelling in the land, engaged in a constant war against its enemies. God
gives Israel into the hands of the enemies, but only up to a certain limit: God
is not prepared to grant the enemies a victory on a scale that would make
Israel's existence as a nation cease.
C. VENGEANCE AGAINST
ENEMIES
The section of the
song of Ha'azinu dealing with Israel's salvation lacks almost all the elements
described in the parasha of repentance and redemption in Nitzavim
(30:1-10):
As the Ramban himself notes: "This
song contains no precondition of repentance [for redemption to
occur]."
The song makes no mention of the
ingathering of the exiles. This is no wonder, since – as discussed above - the
description of the punishments that will visit Israel does not refer to
exile.
The song fails to mention Israel's
flourishing in the land in any sphere whatsoever.
The last part of the song lacks
almost any reference to Israel at all. The only verse that speaks of a change in
Israel's situation is verse 36: "For God will judge His nation, and He will
comfort Himself for his servants, When He sees that their power is gone, and
there is none, closed or abandoned." It is difficult to define this as a
reference to "redemption." The verse is talking about an end to Israel's
distress and their deliverance from the enemy's hand, out of the greatness of
the distress in which they find themselves.
If this last part of
the song seems so wholly lacking in the components of redemption, what causes
the Ramban and other commentators to perceive in it a description of redemption?
Only one idea: the revenge against Israel's enemies. The "reckoning" with the
enemies is of a clearly warlike nature. Thus, the description of the revenge on
Israel's enemies also indicates that the reference is not to nations among which
Israel was exiled, but rather to those who waged war against Israel and killed
many of them in war. It is against them that God will wage a war of revenge in
order to avenge the blood of His nation and to atone for the land upon which so
much blood was spilled.
Thus it arises that
not only that which the song omits to mention, but also that which it contains –
the heavy attention to Israel's enemies and the revenge against them –
demonstrates that the song deals NOT WITH EXILE AND REDEMPTION, but rather with
ISRAEL'S WARS AGAINST THEIR ENEMIES WHILE THEY ARE LIVING IN THE LAND. Let us
then return to the question we posed at the beginning: what is the historical
scope of the song of Ha'azinu?
D. PUNISHMENT AND
DELIVERANCE IN THE LAND
To respond
succinctly: On its literal level, the song of Ha'azinu is meant to serve as A
TESTIMONY AND WARNING TO ISRAEL REGARDING THE EVENTS THAT WILL TAKE PLACE
IMMEDIATELY FOLLOWING THEIR ENTRY INTO THE LAND, and during the many generations
of their habitation there. All that time, exile is still a distant threat, so
far from realization that even its shadow was nowhere to be seen on the horizon.
In this respect,
Ha'azinu is different from the blessings and curses – "the words of the
covenant" – conveyed at Sinai (parashat Bechukkotai) and on the plains of Mo'av
(parashot Ki-Tavo-Nitzavim). The testimony of the great covenants sealed with
Israel on those occasions went so far as to include the destruction, the exile
and the eventual redemption. They therefore anticipate the entire broad, distant
cycle of history, the grave climax of which – the destruction and exile – is
actually irrelevant to the generation entering the land and those immediately
following them.
At one point in
Devarim (4:25-27), in a clear parallel to the covenant at the end of the
Chumash, we are told:
"When you will bear
children and grandchildren and you WILL HAVE LIVED LONG in the land, and you
shall be corrupt and shall make a carved idol... I call the heaven and the earth
to testify against you today that you will quickly perish completely from upon
the land... and God will scatter you among the nations..."
It is stated
explicitly here that the threat of exile pertains to a time when Israel will
have "lived long in the land" – they will have been settled there for many
generations. But the degeneration and the sin of idolatry threaten Israel from
the very beginning of their stay in the land. How will God choose to deal with
the rebellious nation during these first generations in the land? It is this
that Ha'azinu comes to clarify. In this respect, Ha'azinu complements the
testimony of the covenant made on the plains of Mo'av, and only by looking at
both sources together do we attain a comprehensive picture of what lies in store
for Jewish history from the time of the entry into the land, via the period of
ongoing degeneration during their habitation there – punctuated from time to
time by deliverance – until the destruction and exile, and the
redemption.
What characterizes
the life of Am Yisrael in their land, as described in Tanakh, starting from the
period of the judges? The historical pattern that repeats itself over and over
during the period of the judges, and also appears later during the first
commonwealth, is that a strong enemy rises against Israel and oppresses them
cruelly, until at some point there is deliverance and the enemy is overpowered.
This historical rhythm is generally described as arising from Israel's sins in
turning to idolatry. As a punishment, God gives them into the hand of the enemy,
but ultimately God relents, in the face of superficial repentance on the part of
Israel aimed at facilitating their deliverance, but which does not last long. At
times God delivers them even though they do not engage in repentance, but rather
because His mercy is aroused at the plight of His people who have reached such
degradation.
This national
degeneration, starting shortly after the conquest of the land – as early as the
period of the judges – and continuing throughout most of the generations that
lived in the land (with the exception of the period of David and Shlomo), stands
in sharp contrast to the awesome events surrounding the exodus from Egypt, the
miracles of the desert and the success in the conquest of the land. What causes
this degeneration? Why do Israel fall after they have settled in the land? It is
this question that Ha'azinu comes to answer, warning Israel that if they serve
idols in their land the descent will follow soon after, and they will be given
into the hands of their enemies.
But Ha'azinu also
answers a different question, the corollary: If Israel indeed engage in idolatry
and consequently are punished with harsh measures, why does God not carry the
judgment to its full extent? Why does He save them time after time from their
enemies, even transferring the punishment onto those same enemies? The song
provides a dual answer to this: firstly, the enemies of Israel are ultimately
also the enemies of God. They themselves are idolaters and deserve punishment
for their actions. They attribute their victories over Israel to their own power
and strength, not realizing that they are God's messengers, sent to punish
Israel who have sinned. Secondly, despite all God's anger against His people, He
nevertheless regrets the evil that has befallen them when He sees their
helplessness and their lowly degradation – "There is none, closed or abandoned"
(verse 36).
Thus we find, in
light of the above, that Ha'azinu is not a review of a single historical process
at all; rather, it sketches the outline of a historical reality that repeats
itself over and over during many generations, with slight changes in tone and in
emphasis.
This perception of
Ha'azinu is based on what we have discovered during the course of this study,
and explains these findings quite simply: the lack of mention of exile in the
list of punishments arises from the fact that the historical boundaries of the
song cover specifically the period of Israel's national existence within their
land, during those generations when exile was still a far-off threat. Likewise
the song fails to describe their future redemption, but rather indicates their
(temporary) deliverance from their enemies, because their lowly state arouses
God's mercy and, more importantly, because of the sins of their enemies, who are
also the enemies of God, and the need to exact revenge for their actions. Hence
the warlike nature of the song, which deals mainly with the relations between
Israel (dwelling in the land) and the surrounding nations – relations
characterized by ongoing war.
Proof of this
perception of Ha'azinu is also to be found in the prose introduction to the song
in Vayelekh. In God's words to Moshe and Moshe's words to Israel, we are told
explicitly to which historical circumstances the testimony of the song is
directed (31:16-21):
"And God said to
Moshe: Behold, you are to sleep with your fathers. And this people will rise up
and will go astray after the gods of the strangers of the land in which they
will be among them, and they will abandon Me and violate My covenant which I
have made with them. And My anger will burn against them on that day, and I will
abandon them and I will hide My face from them, and they will be devoured, and
many evils and troubles will befall them... And now, write for you this song...
in order that this song may be for Me a witness against Bnei Yisrael. For when I
have brought them into the land which I promised to their fathers, flowing with
milk and honey, and they shall have eaten and been satiated and grown fat, they
will turn to other gods and serve them, and provoke Me, and violate My covenant.
And it will be when many evils and troubles have befallen them, then this song
will answer before them as a witness..."
And later on Moshe
declares (31:27-29):
"For I know your
rebellion and your stiff neck: While I am still alive with you, you have been
rebellious against God, and so likewise after my death... For I know after my
death you will become corrupt and turn away from the way... and evil will befall
you at the end of days for you will do evil in the eyes of God, to anger Him
with the deeds of your hands."
These verses
repeatedly emphasize that the reference is to an historical process that is not
far off, and which will commence immediately after Moshe's death. Close
examination reveals clear linguistic and thematic connections between this
introduction and the song itself. The song contains nothing more than what we
are told in the introduction, except that it is expressed with poetic force that
makes a lasting impression: "that it not be forgotten from the mouths of their
descendants."
E. REFERENCES TO
HA'AZINU LATER IN TANAKH
There are many links
between Ha'azinu and the other sources in Tanakh which show that the song is
truly one of rebuke and testimony for Israel while they dwell in the
land:
1)
There are several places in Sefer Shoftim where the thematic connection –
and at times even the linguistic connection – to the song of Ha'azinu is
unmistakable. See, for example, 2:8-18 and 10:6-17.
2)
The description of the growing suffering of Israel at the hands of the
Arameans during the period of the royalty, and God's salvation of Israel from
them, also echo the words of Ha'azinu (Melakhim II 13:22-23):
"And Chazael king of
Aram oppressed Israel all the days of Yehoachaz. And God was kind to [Israel]
and had mercy on them, and turned towards them for the sake of His covenant...
AND WOULD NOT DESTROY THEM; and to this day He has not cast them off from before
Him."
3)
In the days of Yeravam ben Yoash, Israel expanded even though it was said
of this king that he did evil in God's eyes. His military victories are
therefore surprising, but the answer is provided (Melakhim II 14:25-27) with the
aid of the language and logic of Ha'azinu:
"He returned the
border of Israel from the entrance to Chamat back to the sea of the Arava... for
God saw the plight of Israel, that it was very bitter – that there was none
closed and none abandoned and none to help Israel. And God had not said that He
would erase the name of Israel from beneath the heavens."
4)
Echoes of Ha'azinu are also to be heard in the rebukes of the prophets
(e.g. Yishayahu chapter 1: "Hear, O heavens, and listen, O land... I have raised
children and reared them, and they have rebelled against
Me...").
F. CONTEMPORARY
RELEVANCE
What caused the
Ramban, and other commentators both preceding and following him, to make an
effort to find in Ha'azinu what appears, according to a literal understanding of
the text, to be lacking – Israel's exile and their future redemption? The
special status of the song in the Torah caused it to be perceived, in exile, as
the climax of the "words of the covenant" of the previous parashot. These
commentators never entertained the possibility that this lofty song had nothing
to do with their situation in their long exile. Therefore it was interpreted as
an advance warning of this exile, and the revenge against the enemies of Israel,
addressed at such length in the song, was understood in relation to the nations
among whom Israel dwelled in their exile. Hence the assumption that the song
contains a promise of redemption from exile - a promise having no connection
with repentance.
The interpretation
that we have suggested for the song – that it should be seen as referring
specifically to those generations of Israel's history when they dwelled in their
land – makes it seem meaningless for those generations who lived in exile,
suffered its yoke and prayed for redemption from it. It was the attempt to have
the song apply to their generation, and to those that followed, that caused
these commentators to interpret it in the way that they
did.
Some seven hundred
years after the Ramban and fifty years after the birth of the State of Israel,
it appears that the literal understanding of the text – as suggested in this
study – is the more relevant one for our generation.
(Translated by Kaeren
Fish)
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